Death of a Salesman Essays

Death of a Salesman Essays Death of a Salesman Essay Death of a Salesman Essay was therefore quite a radical challenge to make at the time, as unlike nowadays, people did not constantly self-analyse on a national and individual level. The dream is the villain of the play. Willys desperate nocturnal attempt to grow vegetables in the garden further compounds to this idea, as it signifies not only his shame at not being able to provide for his family, but also symbolises the concept that pursuing the dream is a fruitless affair altogether. Consequently, if the American Dream is the villain, Willy Loman cannot be deemed a typical tragic hero because it is the society he lives in that predetermines his downfall from the very beginning. Some critics have even gone as far as saying that Death of a Salesman cannot be deemed a true tragedy because of this, but rather a social drama 8 according to Brenda Murphy. This is because it is questionable as to whether Willy Loman has any control over his destiny at all, as although he is in command of his body and actions, the American Dream has polluted his mind to such an extent that he can barely grasp reality. Indeed, his frequent hallucinations at inappropriate moments emphasise this: Pull myself together! What the hell did I say to him? My God, I was yelling at him! Also, Miller often uses language through out the play to foreshadow Willys death: these arch supports are killing me , tired to death etc. It is almost as if Willy is predicting his own ends; he is precariously ready to drop or give up on life throughout many sections of the play. This self-pity is not an admirable quality and is therefore more befitting to a victim than a tragic hero. Interestingly, another interpretation of Willys character is that he is a tragic villain. This is because he selfishly disregards the dreams of his family in order to fulfil his own. Biff, for example, is not a businessman at heart and is content with the simple necessities of life (Why am I trying to become what I dont want to be? ). However, his father constantly makes him feel guilty about this and frequently refers to him as a lazy bum. Also, in declining Charleys job offer Willy Loman casts his familys needs aside because it does not live up to his ideal job. Although the term villain may be a bit harsh, it is certainly true that the shortcomings of his personality make Willy a harder character to sympathise with than Sophocless Oedipus for example. In this way he could be considered neither a hero nor a victim, because a tragic victim generally needs to arouse high compassion amongst audiences. To conclude, it seems as if the character of Willy Loman is most accurately described as an anti-hero. This is because, although he is the protagonist of the play, he lacks many of the traditional qualities of a true tragic hero; Miller has subverted this stereotype in creating Willy Loman. More importantly however, audiences would certainly not wish t to be like him in any way, although there are undoubtedly aspects of Willys personality that we can relate to. As Joyce Carol Oates suggests: For all his delusions and intellectual limitations Willy Loman is all of us. Or, rather, we are Willy Loman, particularly those of us who are writers, poets, dreamers; the yearning soul way out there in the blue. 1 Nevertheless, Willy does still possess some of the attributes of Aristotles typical tragic hero as previously mentioned, which means he cannot be considered a total victim either. The only certainty is that critics will continue to ponder over Willy Lomans character for years to come. Bibliography: 1. ) Oates, Joyce Carol. Arthur Millers Death of a Salesman, Michigan Quarterly Review, Fall 1998. 2. ) Moss, Leonard. Arthur Miller, 1967. 3. ) Salitt, D. The Character of Willy Loman, 2000. 4. ) Swietek, F. Death of a Salesman: Tragedy? , 2003. 5. ) Carson, Neil. Arthur Miller, New York Grove Press,1982. 6. ) Miller, Arthur. Tragedy and the Common Man, 1949. 7. ) Adams, James Truslow. Epic of America, 1931. 8. ) Murphy, Brenda. The Tradition of Social Drama,1997.

A Study on Legal Position of Floor Area Ratio (FAR) in Urban Development

A Study on Legal Position of Floor Area Ratio (FAR) in Urban Development Floor Area Ratio (FAR) is one of the main features of urban area, which is always considered by urban planners. This issue has become as one of the major bases of urban development policy in Iran within the past recent years and been emphasized through the framework of several urban development plans. Therefore, a fundamental view in this regard is mandatory. The most important achievement of the current century in the field of urban development is considering citizens rights and qualitative aspects in this regard. Non-professional interference such as selling excessive FAR and uncontrolled and unplanned developments, especially for housing purposes in most major cities without considering the variability and difference of urban lands and merely for achieve earning for municipality and profitability of a limited group of investors have occurred, which resulted in a decrease in urban environment quality and lack of sustainability in the field of security, health and comfort of citizen s in environmental fields. Whereas effect of tall buildings on urban area and citizens in terms of physical, economic, social, urban development, etc. is undeniable, therefore, special focus on urban development laws is required. The purpose of this study includes recognizing effecting urban laws relating to FAR and controlling urban development through examining laws on FAR and tall building construction in some sample countries across the Globe, to identify variable and suitable solutions using global experiences. Eventually, through studying Tehran and New York, as two modern cities with roughly similar conditions and comparing the laws and manner to face issues of urban development and FAR, we understand the level of success of each in this regard and what are more suitable solutions. Study method in this article is combined, in a way that using research method and documented and library base studies, the relevant information is collected and further examined using quantitative and qualitative method. Introduction Almost all developed and developing countries face serious problems due to rapid and vertical growth of cities during the recent decades. The issues of this phenomenon not only extensively affected urban development policies, but also its consequences played a major role in economic, social, political, managerial and environmental issues of the societies. Concerns on this phenomenon caused that the developed countries, especially upon WWII, take certain measures to solve or control this crisis. The main bases of these measures include policies on tall building construction, mass development, changing taxation laws, enactment of land laws for optimized usage, improvement and renovation of old and central urban areas, plan on preparing lands of new locations, developing new cities, and above all, policy on increasing population density and FAR of cities. Through reviewing many of these polices, the undeniable role of FAR component in forming and physical aspect and form of the city may be perceived. In these plans, FAR is determined considering population expected for the plan horizon and urban development and urban region policies as well as considering environmental capacities, services and infra-structural urban installations and social, economic, and cultural characteristics. Therefore, focusing the important role of housing in the city and urban planning, focusing position of FAR in projects, its role and importance in urban area organization and factors and criteria affecting the same and legal discussion in this regard are essential. Various existing limitations in a city results in limitations to admitting population for that city and its suburbs, while due to the same reason, the regulations on level of permitted construction in urban development plans is known and therefore, the owners are prohibited to construct excessive building considering their construction permits. Study Purpose Identifying factors affecting FAR Clarifying FAR concept as urban development tool for housing projects Study Questions What are the effective criteria to determine FAR? Can the criteria effective in modern urban design be achieved through considering common legal aspects of FAR in the studied countries? Study Method Whereas this article is of analytical, quantitative and qualitative nature and collecting data has been fulfilled through research method and documented and library studies, which have further been studied, therefore, the study method in this article is of combined type. Position of FAR in Urban Development Fundamentals: In general, the concept of density in the urban planning literature in the context of land use planning under the category of zoning regulations is the subject dealt with the spatial distribution of elements, functions and activities in urban areas. (Flame, Urban Management Quarterly, 2008, p. 36). Concentration in urban design also has a great effect on all three aspects of the artifact environment, its function, its form and meaning. This effect is achieved through the level of user activity in the functional dimension, and the methods for controlling the volume, height and spacing of buildings, in the dimension of the form through the dimensions of performance and in the semantic dimension and artifact environment. Height: The height of buildings as one of the contiguous variables on FAR is one of the most important factors in organizing urban landscape. This criterion, in proportion to the number of building floors, is a more precise control tool that should be designed with regard to adjacent buildings and street features. The impact of building height on creating a sense of space enclosure is significant. The sense of being enclosed in space is essentially based on the relation between the eye distance from the height of the enclosing body of space. Building Mass and Volume: This is one of the other criteria controlling FAR, which plays an important role in urban form and view. This criterion focuses controlling volume and distribution of superstructure on ground area. Scale: It is one of the other variables dependent on density, which is a complex, multi-faceted and relative measure. So that it can be a mixture of the main criteria such as mass and volume, height, gradient etc. In this way, the effects of building density on the physical dimension are more pronounced. Disturbance in physical spaces and urban form and landscape is one of the negative consequences of increasing construction density. Floor Area Ratio (FAR) This is the ratio of the total infrastructure construction of a fragment to the total area of that piece. (Zo Eshtyagh, 1998.4) The index of construction density is shown as a percentage. The effects of increasing the density on the urban form include spatial skew, a cultural organization, mass and space. The effects of increasing density on urban landscape are as follows: Height line, bonding of the walls, scale, granularity, hemisphericity of buildings. Therefore, if increased construction density, without comprehensive planning, can cause disturbances in the citys space and body. The formation of the physical composition of urban bodies, without consideration of qualitative and quantitative aspects, will lead to the creation of discrete and unconnected urban areas and disparate and disproportionate towers. This is clearly visible in housing projects. Factors effective in Categorization Determine the density in each area according to its type of operation Determine the amount of land needed for important urban functions such as trade, industry, residential sector and other urban activities (Shokouti, 1994, p. 343) The height of buildings, the dimensions of segments, the street width, the supply area and the number of buildings in each building The location and capacity of the lines of installations and main streets (Zyari, 2009, p. 67) The theory of determinism (ecology) of the city, considering its size and population density and high buildings, causes the mental and emotional disturbances of the citizens, which in turn undermine social relations, Superficial, apparent, and so on. But combinators claim that ecological factors do not play an effective role in social relationships, and that differences in social behavior of individuals derive from their own characteristics and characteristics. Sub-cultural theory synthesizes two earlier theories that are more consistent with the reality of urban life. The existence of complications from various subcultures under conditions of consolidation can have the same strong links and sincere connections in urban areas and, in some cases, an abnormal phenomenon. In high-rise buildings, in addition to the effects of ecological factors, non-ecological issues also play a major role. In addition to numerous global experiences, research conducted in Iran, mainly composed of academ ic work.

CoverGirl Cosmetics Research Paper Example | Topics and Well Written Essays - 500 words - 1

CoverGirl Cosmetics - Research Paper Example ed by any organization would influence the financial ratios and therefore business objectives would also be reflected in the financial ratios of the organization. For instance, if an organization is expanding its business and trying to improve its profitability then the financial ratios would reflect an improvement in profit margin, operating margin as well as other ratios that are used to measure the productivity and profitability of the company. Three most important ratios for organizations are operating margin, net profit margin and total assets turnover. CoverGirl Cosmetics is the company selected for this report and as the company is a business unit of Procter and Gamble therefore financial statement of P&G’s beauty division has been used to calculate the financial ratios. In order to calculate the industry average ratios; two firms have been selected besides CoverGirl Cosmetics and these firms are Revlon and L’oreal. The following table shows the important financial figures required to calculate three

Art History Essay Example | Topics and Well Written Essays - 750 words - 1

Art History - Essay Example Plate with Peony Design and Dish with String of Camellias were both plates. These two pieces of ceramic came from the Arita region Saga Prefecture, Japan. Plate with Peony Design is dated to approximately 1650-1700 A.D. The Dish with String of Camellias is dated around fifty years later at approximately 1700-1750 A.D. The Plate with Peony Design caught my eye, because of the bold colors. The background is of mustard yellow, with slightly darker yellow swirls. On this background green leaves are accentuated with dark maroon peony flowers. There is no white, only a vivid amount of darker colors, devoid of any hint of pastel. Generally a pattern or representation of flowers is delicate, but this plate was strong and bold. One could definitely see the Japanese influence. In contrast, the Dish with String of Camellias has a white background. Camellias encircle the outside of this plate, but do not touch by making a full circle. A blue chord connecting the flowers covers a little more than half of the plate. The flowers are detailed, especially the orange and white striped blooms. The camellias are also solid orange, a drab yellow, white, and blue. Once again you can see the Japanese influence by a strong depiction of the flowers. The contrast between the two plates is dramatic. While Plate with Peony Design is covered with strong background color, Dish with String of Camellias’ background is white. Whereas the Plate with Peony Design has a crowded, almost blurry design, Dish with String of Camellias has detailed flowers in order. The reason for these drastically different appearances is the plates are of different wares. Plate with Peony Design is a Kokutani ware. These wares were known for there over glazed enamels. Kokutani wares were made during the period this piece was made, so can be defined as such. Kokutani wares were made with dark reds, greens, and yellows. These are the same colors making up this plate. In

artful dublin Essay -- essays research papers

Someone has crafted a dense, human-size spider web in a 17th-century baroque chapel. At the center of the swarming thread, a longhaired woman lies in a hospital bed, sheet to her chin. Silence, light filtering from stained glass, and her stillness trapped in the maze reminds the viewer of some old dada wisdom -- any work of art that can be completely understood is the product of a journalist. Down the hall, in a large room, a young German is rushing around in a white jumpsuit. He alternately plays with toy airplanes and bakes cakes in a microwave, which every hour on the hour he blows up. These exhilarating works of art from Chiharu Shiotta and Frank Werner were at the Irish Museum of Modern Art in Dublin recently, part of a show called "Marking the Territory." The images were compelling enough, but the real strangeness was that they were happening in Dublin at all. For centuries, the visual arts in Ireland ran a distant second due to the superiority of the Word. But no longer. "This is an ideal place for an artist to be," Paolo Canevari said. The young Roman was represented at IMMA by "Differences," seven people on a bench on whose foreheads he methodically rubber-stamped religious denominations. "The Irish aren't jaded. There's no boredom with art." Even Dublin's stinging humor, a style that is distinguished by an urchin's allergy to the sentimental and a duty to bring everything down to street level, has softened toward the public art of the city. The statue of the River Liffey, personified as a woman in a fountain, is still known as "The Floozy in the Jacuzzi," and a realistic sculpture of two middle-age women taking a rest from shopping will forever be "The Hags With the Bags." And what else could a giant metal spike proposed for the north side be called but "The Stiletto in the Ghetto?" These days, however, all street titles are said with affection and pride. Every nation prizes creativity. But countries such as Ireland, which for so long had little but creativity, revere it. It is now museums, galleries and artistic work that are embraced, and not just the theater, pub wit and the writer. One of the engines of Dublin's artistic boom is IMMA, only 10 years old yet housed in one of the most magnificent 17th-century buildings in the world, the Royal Hospital, Kilmainham. Formerl... ...ight to $1,725 for the penthouse suite. Full service, excellent restaurant and a great bar for people watching. The Pembroke Townhouse (90 Pembroke Rd., telephone 011-353-1-660-0277,www.pembroketownhouse.ie) is a marvelous, immaculate Georgian house in Ballsbridge, close to everything on the south side, with a cheerful and efficient staff. Rates run from about $90 to $120 per night. WHERE TO EAT: Restaurant Patrick Guilbaud (21 Upper Merrion St.) has spectacular art on display along with the best French cuisine in Dublin. Appetizers run from $14 to $30, entrees from $35. Trocadero (3 St. Andrew's St.) -- "the Troc," near Temple Bar -- is a great old-time theater restaurant, with late suppers and superior bar food until midnight. It's recently been refurbished and crisped up, but they left the sense of fun intact. Two can have a memorable Italian meal and a bottle of red for about $60. INFORMATION: For more information, contact the Irish Tourist Board, 800-223-6470, www.ireland.travel.ie; or, in Dublin, the Bord Failte (Gaelic for "board of welcome"), Baggot Street Bridge, telephone 011-353-1-602-4000. -- Ambrose Clancy  © 2002 The Washington Post Company

Higher Education and Vocational Degree

Murray’s Essay On Education: What’s Wrong With Vocational School â€Å"What’s Wrong With Vocational School,† by Charles Murray is an Article that states Vocational schooling would be better off than a four year College degree. In Murray’s opinion, college should only be with those with a high IQ rate of 115 or higher and able to handle rigorous and challenging courses. If you are at an IQ below 110 it becomes an issue and you would be more successful in a Vocational program.This article calmly and rationally presents the notion that the population would be better served by the reintroduction of more training for careers in trade occupations becoming more prominent, therefore creating more job opportunities for people graduating with a vocational degree. Many students that graduate from a four year University do not learn what is needed to go into the working field. Murray states â€Å"For a few occupations, a college degree still certifies a qualif ication. This brings up the question, why do we pressure everyone to get a four year degree?In our society the college you go to means more than your actual qualification or talent you might have. Employers tend to pick a student that graduated from a university over that of a vocational school student just because of the name of the school not the talent the individual has. The degree itself also does not automatically qualify the student for the job and there are much faster and better ways such as a vocational degree for young people to provide credentials to employers.These credentials are needed in the job market for students with vocational degrees. As Murray says, â€Å"Finding a good lawyer or physician is easy but finding a good carpenter, painter, or electrician is becoming difficult. † The jobs needed such as an electrician or painters are those with vocational degrees. We often overlook some of the great jobs that don’t require a degree and are still very r ewarding. A vocational degree can bring just as much income sometimes even more than a four year college degree in half the time.We have a mindset that a four year degree is much more valuable than a vocational degree. As Murray conveys this is not true he used an example of a craftsman bringing intrinsic rewards with high income. Vocational degrees are becoming more susceptible in our community. A college degree is no more important than any other high tech occupation such as an NBA player or a cabinet maker. Many of our most high income people do not have a college degree and do not care because they are living happily without it.Murray states the social cachet of a college degree still remains but will erode over time when large numbers of high income people do not have college degrees. † Many employers are looking more at the evidence you are good at something without the benefit of a college degree and will increase more overtime. If this does continue our false outlook o f a college degree will diminish. As a society we look at the only way of becoming successful is going to a four university and look over vocational degree programs. Through Murray’s argument we learned tha

Film The Prestige - 2340 Words

The Prestige – Perception and Identity Introduction The Prestige is a 2006 film directed by Christopher Nolan. The background is set in London in the late 19th century. Rupert Angier (played by Hugh Jackman) and Alfred Borden (played by Christian Bale) originally are the shills of a magician. Angier’s wife is drowned in a show and he blames Borden for that. Since then they are rivals and start their own careers as magicians. Angier becomes ‘The Great Danton’ while Borden becomes ‘The Professor’. They try to sabotage each other’s show. Borden loses two fingers in a bullet catch trick while Angier loses some reputation in bird cage trick. Later Borden starts to perform a new trick called ‘The Transported Man’. Angier is impressed and†¦show more content†¦It is our intellect but not senses to judge that he is a man. It may be the same in the magic tricks. What a magician does is not deceiving our senses, but our ability to judge and reason. What we see or what we hear in the magic trick are no doubt the truth, just like a piece of solid wax and a piece of melted wax, we can sense them correctly but we cannot judge that they are the same. What we really feel wonderful about is that we cannot find out the reason or relationship between the two pieces of wax or to explain the magic trick. That is why the prestige is the most important part of a trick, as mentioned in the movie. Taking Borden’s ‘The Transported Man’ as an example. In his trick, when he steps inside the door at one side of the stage, he can immediately come out from another door at the other side of the stage. In th is case, what the audiences see is Borden stepping in a door and he stepping out from another door, as compared to a piece of solid wax and a piece of melted wax, they are both the truth. He accomplishes this by using a double, who is his look-alike twin brother. It is a very simple idea. But still, why people think that he is really transported? It is because people are deceived in the process and they cannot judge by their intellect that he is using a double. In this movie, the appearance of the cloning machine presents the most extreme case to explain how ‘The TransportedShow MoreRelatedInception And The Prestige Film Analysis1835 Words   |  8 PagesChristopher Nolan is credited as being an illusionist in the way that he directs his films. Inception and The Prestige are two of his films that will keep you pausing and rewinding for the duration while you try to keep up with the complex story lines and mind bending conclusions. 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